SAQA conference, QN, Eva's Ballet, garden, and Green Bags

Jimmy has an antique lawn tractor now, given to us by our friend and carpenter and computer guru Duane Hart, one of whose genius activities is restoring antique lawn tractors! This 1965 Wheel Horse mows twice as wide as our regular mower does, and I can tell it's a guy magnet. If any of you girls is looking to attract a fine, upstanding and hardworking man, just get yourself one of Duane's rebuilt tractors and mow your front lawn. Yes, it really could be that easy! :)


OK, I got two recycled cotton canvas tote bags from Eleanor Levie, who'd asked me to make a piece for use in her upcoming book about reusable shopping bags. I pulled the bags out, and right away, my cat Ome (the gray girl, as opposed to Otis, the orange boy, her brother) crawled her way into one bag. I decided to throw in some fresh catnip from my garden and take some action pix. This was the research stage of the project. When the kittens were done playing, I had laughed so much, I had to take a breather, but I was really psyched: I had an angle for what I would paint.

Eleanor had asked me to not paint a bunch of people on the bag, thinking that this might intimidate readers who would want to make a bag like mine. And she didn't want people faces, for the same reason. ugh. This is what I do! She also wanted me to journal about my Green Quilts project (1989 thru 2004) on the bag. But I'm done with that project, so again, ugh. But Otis and Ome's play made me think of a new idea. Not Green Quilts, but Green CATS! :) Of course, I would still write about the Green Quilts project as part of my diary on the bag, but instead of drawing and painting a bunch of people, I would do cats, WITH their faces, thank you!
Luckily, Eleanor liked the new idea, and so did I.


I opened up the bag's seams, so I could put a tee-shirt board in between the canvas layers, and fired up my airbrush. I had the two bags on the wall, side by side, and started by drawing with black paint, like I always do, and then moved into applying yellow paint, again, like I always do. Kinda like how Jimmy and I both almost always get the same exact orders at our Mexican restaurant: he gets My Special, a fajita, and I get a Super Quesadilla Relleno with pollo.

Well, there's a reason for starting with yellow paint. Yellow is the weakest pigment, and when working with transparent paints, you want to put your lightest stuff down first. And yellow can be turned into about any other color (not blue, purple, or pink though.) You don't have to be really picky about not going outside your lines, since the yellow will be transformed by whatever background color I put over it. Oh, you should have to come take a class with me to learn all these secrets. Never mind!


But I only put yellow and then green paint on these bags. Then I stopped, instead of adding more and more layers of colors to the paintings, since these bags needed to be green. So I stopped, cleaned out my airbrush, and wrote all over the bags with my airpen and its tiny writing with black fabric paint. Ome, smiling here, loves the idea of Catnip PIe, a new recipe I invented while airbrush drawing on these bags. Eleanor picked the bag on the right for her book, and I sent it to her for publicity. I'm carrying the other one around, enjoying having a fancier grocery bag than my usual Buehler Bags. (Buehler's is our local grocery store.) I LOVE cloth shopping bags, and even used them last Christmas for wrapping some presents. I like Eleanor's idea for the book and can't wait to see it come out! I'll tell you when it's out!


In fact, I carried my Green Catz bag around in Athens,Ohio, at the Quilt National opening at the Dairy Barn Arts Center and the SAQA (Studio Art Quilt Associates) conference that went on during Quilt National, May 21-24, at the Ohio University Inn in Athens.

Note: It used to be that only the QN exhibitors and their guests atttended the Memorial Day weekend events for the opening of the show, but ever since SAQA started connecting its conferences with the QN opening, conferencees and exhibitors (sometimes a person is both) attend for the events. Some of the people shown below are in QN this year, some are not. All of us are professional art quilters, and most of us entered the show, but many were rejected, as usual, since they only accept 84 pieces into the show. 51% of the exhibitors this time are first timers, so the show has a very fresh look! The jurors for QN '09 were Sue Benner, Katie Pasquini Masopust, and Ned Wert, and they all graciously attended for the weekend and gave a panel discussion on jurying the show. Quilt National '09 is a really good collection of work, an eclectic mix of the best of what's new in the art quilt movement, well worth your time to take a trip to Athens, Ohio, to see, or to catch on one of its stops around the country in the next two and a half years.

Above are my dear friends Robin Schwalb and Jancy (Juno) McClellan, riding the shuttle bus from the hotel to the campus student center, for our SAQA classes. Robin was on the panel I led at the conference and was my roommate. She and I have been good pals ever since we met in her hometown NYC in 1988, after we both got into our first QN in 1987, and I was living in NYC for half a year on a grant from the Ohio Arts Council. (Those were the days!!!) Juno came to these events for the first time, a busy young art teacher in Columbus, Ohio, who's discovered art quilting in the last few years. Both events, QN and SAQA, bring together so many people you already know, and new ones you become friends with. This is our trade's biggest happening, a biennial thing to really look forward to.

This year I didn't get my piece "The Food Scales" juried into QN, after ten ins and one out previously, but I was asked by SAQA to lead a panel discussion for this conference, so I had a good reason to show up. This was the first time I ever participated in all the mini-workshops for the SAQA conference, and it was really good. We had four sessions on Friday, the 22nd, and I got a LOT out of my classes, in marketing your work, understanding Photoshop better, etc. Maybe I'll con you into buying my art better from now on! Watch out: I'm really shrewd now!


My friend Andi Stern stands with Robin, admiring the beautiful terrazzo art image in the floor of the Baker Student Center, of Aminah Robinson's artwork from 1990, which was chosen by Ohio's Percent for Art project, to be used in this public building, just a few years ago. Yea, public art! Your tax dollars at work for a really good cause! Aminah is a Columbus, Ohio artist, whose work tells the story of black people in her life, from her childhood on. She is probably the best known artist in Ohio now. I was just so happy to see images of her work made permanent in that floor!


And NOW we're at the grand opening ceremony for Quilt National '09, with my friend Shelley Baird posing in front of her QN piece. This was Shelley's first time to enter, partly thanks to my superior nagging, and ta-da: she got in. Yea! She does a lot of deconstructed silk screening on her fabric, using her own images.

Shelley drove me down to Athens, after Jimmy took me to her house in Columbus. We had a great time on the way down and back, and running around Athens in the meantime. Thanks a lot, Shelley! I love your very newest body of work, the paintings using other artists' dropcloths as the basis. Very cool! Can't wait to see one of them on the QN wall next time!


And here we have Shawn - Radical Man Himself - Quinlan, of Pittsburgh, PA, with his very cool and controversial piece "God Bless America." Shawn got into QN with his sixth try. A very persistent artist! I love his very political artwork, and am so happy that it's part of this QN. I heard that the Wall Street Journal had an article about this show, and that they included this piece of Shawn's. :)


This is me, with my Green Catz bag (told ya), with Therese May, my dear San Jose friend, and Joan Hershey, from Indiana, whom I know from Art Quilt Network. We're just livin' it up at the Quilt National opening. For many years, Robin and I would work like maniacs at the openings, reading all the statements with the quilts, in choosing our Green Quilts award for that year's QN. But since we shut it down in 2004, I've been free to just be there. And since my piece wasn't in the show, I was just a civvie, able to loll around and get in trouble at my own leisure.


I sat beside Maxine Diamond and her husband John Lefelhocz at the QN banquet. John volunteers at the Dairy Barn Arts Center where QN is held, and Maxine bought one of the pieces in the show that night! They own the Cycle Path Bike Shop in downtown Athens, one of the best bike shops you could ever find!


While at the SAQA conference, I sketched some ideas for upcoming work. I was thinking of doing the SAQA reverse auction piece as either Michelle Obama's White House vegetable garden, or doing the big hug between her and Queen Elizabeth, and those are the sketch ideas here for the 12" painted quilt for the auction. However, since then I've pretty much decided to use those things in larger pieces. Since I'm starting the auction piece probably tomorrow, I'll soon know what the theme will be. I have an idea, but it's a secret. Stay tuned!


Here are Robin Schwalb and Sally Sellers, enjoying the SAQA barbecue, at the end of our conference. The two of them, as well as Therese May, Dominie Nash, and I were on our panel, called "What's Next?" We had presented our panel that day (Saturday, May 24) in the afternoon, and I think we were all happy with how it turned out. Each of us came to the topic of mid-career issues with a unique sub-topic, and we each gave our own powerpoint show to accompany our ideas. Therese spoke about appreciating your own art ideas; Dominie mused over lessons learned and lessons to come; Robin addressed the issues for people having a regular career, besides your art career; Sally talked about the challenges of changing styles; and I presented my solutions to the problems of health issues and time constraints due to aging. I was surprised that we were being videotaped, but am very happy about this. The panel, along with other programs from the SAQA conference, will soon be available on the SAQA University web site. And I just found out that Jeanne Marklin is writing a review of our panel for the next SAQA Journal, coming out in the Fall.

Sorry I didn't get any pictures of us giving our panel. We looked pretty sharp! In fact, we were stylin'!


Andi Stern, another QN exhibitor sitting it out this year, relaxed with her husband Marty at the barbecue. They live in Chauncey, near Athens, and in the old days, their kids would come along or one of these two would stay home with the kids. This time, only their college-student daughter Aisha showed up. Andi, besides making studio art, was busy baking her tasty baked goods for the local coffee shop all week. Long ago she got the nickname Peppy Whirlwind, and is keeping up with her name quite well!


Here is Martha Sielman, the director of SAQA, and to her right, a chopped-off image of the current president, Judith Content. Behind Martha are Jack Walsh, an art quilt collector and member of the SAQA board, along with other luminaries, all out standing in their field. :)


I was sitting with my back to the sun, trying not to melt, just happy to be with such good friends as Therese May. I can't remember the last time I was able to sit around with Therese, but it's been way too long. I look back with great fondness to our big adventure in 1992, when our friend Anne Warren drove Therese down to my house, since she was teaching up in Cleveland, for the Textile Art Alliance. The two of them helped me paint the big double front door of our house that weekend. It's still at the top of the front page of my site, but the real door is now sitting inside the breezeway, no longer opening into it. After 17 years, its paint was so bad, we replaced the door, but kept the old one inside, since it's really a sweet memory and a great painting. I'd love to have Therese come back to Wooster and see my big garage door painting in person!


Sunday morning, when the conference was over, we got to go see Maxine and her birds (she has parrots and cockatoos) and meet her new puppy, Cassandra. With bicycles selling better and needing more repairs in this recession, I know it was a real gift to have some quiet time alone with this Athens friend. I'm sure she was soon back to the shop, after we left for home.


Here we see some cute, but tired artists, waiting to go home. From left: Margaret Cusack, a textile illustrator from Brooklyn (which is also Robin's home), Robin, Shelley, and Beth Carney, from Yonkers, NY, who's a QN '09 exhibitor. Congratulations to all the exhibitors in Quilt National, which is our most prestigious show in art quilting. You can buy the hardbound book/catalog of the show from the Dairy Barn Arts Center or from many bookstores.


While I was in Athens, Jimmy finished some of his best work in a while, in my opinion. These three cases, a fly case, rod case, and flask, made as a set, were a custom order for a retired doctor, who's doing a lot more fishing these days than my poor, deprived husband. The scene on the fly case is based on a photo of the river where the buyer and his wife just built a new home in Montana. As with all of Jimmy's leather work for fly fishers, these cases were specifically made for the buyer from scratch by Jimmy, starting with the hide. All imagery is first carved slowly and carefully by Jimmy, then painted, and all sewing is by hand. Check out his work.


When I got back home, Jimmy had already used our little Mantis and tilled part of the Rainbow Garden. Here he's starting to add organic stuff to build up the tired soil. We haven't done this in a long time, so it was really necessary. We put in shrimp and seaweed, organic compost, and lime.

We used to till the whole garden, not just the rows, when we had my mom's old, gigantic TroyBilt tiller. Then it threw a rod, and we spent a few years trying to garden with shovels and trowels. Ugh. Then we finally bought a Mantis, which is the little handy, dandy tiller Mom used to say she should buy. She was right!



Once we got the Mantis, we no longer tilled the whole patch, but just the rows, or even parts of rows. This little thing can whiz in between big plants, so we were able to start having perennials in our big garden. We kept up the mulching with paper bags and newspapers under hay or straw, like we did when we tilled the whole thing first each year.

Now we're thinking we'll get rid of our mulch walking rows, and start mowing the walking rows. It'll be kinda like an English garden, and we'll just keep replenishing our planting rows. Only I don't know how this will work with mulching around the plants, like we've always done, when they get big enough to live above the mulch. I guess it's like parenting: it's always an experiment! You just try what you think will work best, and if that flops, you try something else!

I got my first mosquito bite of the season this morning, while planting my little peat pots of Calendula starts. Ratz! Musta missed a spot with my Burt's Bees insect stuff!


OK, so now here's the warm and fuzzy story of Eva's first ballet recital. Eva is my four and a half year old granddaughter, daughter of my daughter Gretchen and her husband Mike. They live in Lakewood, next to Cleveland, and Eva's been taking her first ballet class this year, starting back in January??? A couple of times I went along to the classes, sitting outside of the classroom with G and M, and once getting a wild and sneaky tour of the place with Mike, who hates to sit stil for very long. The Beck Center for the Arts is the finest community arts center I've ever seen, and its Saturday morning sessions are crammed full of parents and kids, all milling around in the halls, which are full of artwork. It's a total inspiration just to be in the building!

So we were all hepped up for Eva's first dance show. G and M made a little video clip of the dress rehearsal, which they sent us by email. And in my last blog entry you saw Eva's outfit for the show. So I made her a big drawing to color, of what I pictured the performance would look like, and as soon as I finished drawing it, she began to color it in, starting with the blue bodice of her outfit. That was just before the performance two nights ago. I wonder if she has it all colored by now.

Anyhow, we all had a nice supper together at GEM's, with Mike's mom Eileen, and then we all went over to the Beck. Gretchen and Eva went first, to get ready, and Jimmy and I decided to walk, since it was such a sweet evening and only about 6 blocks away. The walk over made me think so much of back when I had my Granny Pad, two blocks from GEM's house, and would take walks with the kids in the evening. Ahhh! How I wish I coulda kept my Granny Pad!!!! I only had it for a year and a half, and when I quit being Eva's main nanny, I gave it up, three years ago.



Mike's brother Frank, who is Eva's godfather, is a professional photographer, and he had a really good camera at the recital, so he was able to take these excellent pictures of Eva, without a flash. No one was allowed to use flash photography, and when Eva saw Frank, she mouthed to him that he wasn't supposed to take pictures. But meanwhile, she was also doing all her ballet routine and not missing a beat.

Notice that Eva's standing on her tiptoes in the picture above. She's always stood on her toes, especially if she's excited. And she WAS excited this time! The program featured dancers of all grade levels, and her Pre-Ballet group was the second youngest, after the Pre-School group. There were about ten dancers in her group, dancing in a long line, with Eva on the far right end. I edited out the other dancers, since I don't know who they are and can't get their parents' permission, but they were really cute, too!



This happy smile never left Eva's face, as she glowed with enthusiasm. She surely hadn't expected such a huge audience - maybe 500 people - facing her little troupe of first-year dancers. Her only problems were worrying about Frank being bad, taking these pictures, and trying to see her family in the crowd, with bright lights in her eyes. She knew the dance moves by heart and was really into the rockin' little number called "Alabama."




Ta-Da! :) We all melted!



The program lasted two hours, with Eva's group about in the middle. It was a varied and excellent selection of routines that held our attention easily. When it was over, and we all got together outside with our little Princess Eva, she was happy, but losing her energy very fast. Even an ice cream cone couldn't help her spring back, and as we left GEM's house, we knew Eva would go to sleep very easily that night.

Just look at my happy little GEM family above!


As I edit this blog entry, it's raining outside, thunderstorming pretty hard. My new little seedlings are soaking up a good rain, and tomorrow we'll get some tomato plants! I'll be packing up quilts to go to Sacred Threads in Columbus and to Peters Valley Craft Center's faculty show (where I'll be teaching in July.) I still want to start my SAQA auction piece tomorrow, too.

I think I'm caught up on news now, and I really do plan to make shorter blog entries, more often from now on. Or at least when I can.

Have a good one. - Lucky in Wooster

My April Adventures

"May these happy Buddhas' laughter fill all hearts and the Earth with joy." - Susan Shie, (I just thought that one up.)


This is Jimmy and me in our kitchen in Wooster, before I left on my trip on April 7, to teach in Post Falls, Idaho; Edmonton, Alberta; and Canmore, Alberta. It was snowy and cold that day, but when I got home on April 26, it was Springtime for sure in Wooster!



I got settled into Patti and Dave Ormsby's home in Coeur d'Alene, Idaho, after Patti picked me up at the Spokane airport. I went through four airports that day, and I was so glad to find Patti at the end of my travels! We got along great, and she and Dave hosted me for five days, ending on Easter morning. I feel like Patti and I are now friends for life, and am so glad she took on taking care of me in Coeur d'Alene in April!



Ths second day in Idano, Patti and I went to Lake Coeur d'Alene, where this is the view from Jude Townsend's beautiful home, high on a hill. Jude gave us a big tour of her art-filled house and made an amazing meal for five of us, including her visiting artist friend Lydia Aspen. Patti and I hung out with Jude and Lydia the day after class ended, and again, I feel like I made friends for life! This is one of the great blessings of running around, teaching here and there! I, who grew up with no neighbor girls to play with or school pals to hang out after school with (since I went to school an hour from my hometown), really appreciate having lots of serious friends in my life now! Thanks, everyone!



In my class in Post Falls, Idaho, Jude begins to work with the airpen, as another student and Lydia look on. Lydia's making videos all over the place, as this is part of her artmaking now. She lives in New Mexico now, and I'd love to go see what her own studio looks like, only I"d fry in the sun there! :)

I introduced 20-some artists to using the airpen with fabric paint in that class, as well as my other processes of brush-on fabric paint and my funky crazy-grid quilting.



Patti took me to see the beautiful Post Falls Park, where the falls make hydroelectric power in a very scenic and touristy spot. This part of Idaho faces the very western edge of the Rocky Mountains, which you see in the distance here.



My cat Cleome Wanda Cupcake Shie (Ome) checks out the new Hello Kitty sewing machine that came while I was in Idaho. I bought it for me to teach Eva to sew on, and was so happy that it came only two days after I ordered it from Target. They'd backordered it, saying it was out of stock, but I found out it was discontinued by Janome after Christmas. Janome told me they might reintroduce it this late Spring, and then I got the email from Target, that it was in stock again. I think Target got this one from the old stash, and I bet the reintroduced ones will have the top-loading bobbin, which is what we all love about Janome (one of the things!), and which this little darling sadly doesn't have. If they bring it out with a top bobbin, you can buy this one from me! :) I can tell you that Eva and I both love our Hello Kitty, but I'm sold on the top-loading bobbin!

The machine is a three quarter size Janome (the Gem, disguised in Hello Kittyness), and it sews really well. Perfect for a little girl's first machine. You'll see Eva and me with it near the bottom of this blog, but when it came on April 8, only Jimmy saw it. I had to wait til I got home from my long trip, to see it. Hello Kitty waited patiently.



I hadn't seen our new machine yet, when I made this drawing and painting in my Post Falls class. This was before I did my demo to quilt it. It's got my daughter Gretchen, granddaughter Eva, and me all admiring Hello Kitty, in my near-future dream, as I knew we'd all soon be together, doing a second sewing lesson at their house.



Here's Karen Querna in my class in Post Falls, having a blast with brushing the Jacquard Textile Colors fabric paints on cotton. Later she hit on the concept of painting a little southern girl she knows, who answers questions in the affirmative with "Yea-yuss." Was it Miss Lily? Tell me, Karen!



My students at Post Falls, at the Jacklin Arts & Cultural Center at the Old Church, where we held our class. It was a great group, and we got along really well. Hard to say good-bye to Patti and Dave and their sweet doggies, and to Jude and Lydia!

I hated to leave, but on Easter Sunday Patti drove me back to the airport, and I flew up to Edmonton, Alberta, getting waylaid for a bit, due to smuggling in an apple I forgot I had on me. Kinda like Arlo and the littering on Thanksgiving, since the dump was closed that day ... But then I was swept up by my dear friend Ricki Golick, on the other side of Customs, and we scurried off to her home in Edmonton for some fun before, during, and after my class there.



Because I was bringing Ricki's Mad Port Caper quilt commission with me, she pulled out one of the final, remaining bottles of Taylor 1977 Port, from the same stash as the Mad Port Caper bottle came from. Here Ricki, her husband James, and her cousin Gregg are going through the same moves as Ricki and her mother Hilda had in 2003, when we had to remove all the crud from that first bottle in Montreal. It takes a flashlight, some cheesecloth, and a decanter, as well as a lot of laughing and other exciting things. And that's BEFORE you drink the Port!



The Evidence.



The toast, with Tovah and Lindsay, Ricki and James' daughters. Six of us toasted Ricki's mom and dad, who'd bought that case of Port in the 70s, with the intention of opening one bottle each time a grandchild turned 21. So much for good intentions!



And here's the finished "Mad Port Caper," which I showed you in several pix on my April 8 blog post. Now I was able to hand deliver it to Ricki, after all those years of making it a little at a time. Hurray! As you can see in the pix in my last blog entry, it's the biography of four generations of women in Ricki's family, from her grandmother to her daughters. All hand stitched and beaded.



This is my first classroom sketch, for the first day's group-chosen topic of "Growing." I was so pleased to get to stay with my dear friend Rivkaleh, whom I seem to only see about ever 5 years or so, and we were managing to pack in some really good hijinx in the few days we had together. One of my favorite things was listening to her play her harps, and another was walking the four dogs with her and Lindsay. Oh, and then there was all that delicious food Ricki was cooking, and I was helping to cook, in her beautiful new kitchen every day! YUM!



And here it is as a partly finished quilt, after I used it to demo how I do my quilting, in class. I stil have to finish the airpen diary on it, but that'll happen soon, soon!



This class was pretty swanky: We had two gigantic rooms that were connected. One was where we drew and talked, and the other was full of tables with great dropcloth setups, and with a huge sink. That room was where we painted and did airpen work. In the photo above, I've got three airpens set up at once, so now that each student's had a one-on-one lesson with me, they can come up whenever an airpen is free, and sit down to write or draw on their painting.

Keeping the airpen airlines from their little compressors untangled is a little bit of a trick, but it's really great to watch students getting this relaxed about using this amazing little tool, that puts archival pigment paint onto fabric with such a crispy line. Can't beat it with a stick!



This is my Edmonton class of April, 09, held at the Human Ecology Building at the University of Edmonton. Ricki wasn't in the class. My "keeper" was Elinor Burwash, who's up in the top row, on the far left. She also drove me down from Edmonton to Canmore, and took my class there, so we got to know each other pretty well. You'll notice my "First Lady" piece in progress, as a painting only, hanging behind us, like she did in the Post Falls class picture. She'll be there in Canmore, too! :) Anyhow, Elinor and I got to know each other very well, like I said about Patti, and I know we'll stay in touch. Lots of attitudes in common!



Ricki and I went to a bead shop in Edmonton one day and made Buddha Girl bracelets for her girls and us. Here they are! We used different gemstones to make all the rainbow colors for balanced chakras. Ahh! Good girlie vibrations!

Then it was off to Canmore with Elinor, driving down through Alberta on April 20, going from the flat prairies of middle Alberta to the eastern slopes of the Canadian Rockies, to the now-touristy town of Canmore, which is nestled between gorgeous mountain peaks, in southwest Alberta. This is on the other side of the Rockies from Coeur d'Alene, Idaho, where I'd just been at the start of my trip.



When Elinor and I got settled in, we went exploring with Rosanne Tarnowski, who owns the Quilters Inn Bed and Breakfast with her husband Grant. Here are Elinor and Roseanne, friends from back in college, walking along a bluff overlooking Canmore. On the other side of the town's valley, you can see the beloved Three Sisters peaks, my favorites, in the top right side of my photo.

Elinor stayed at Roseanne's B&B, and we all had supper there each night, enjoying Grant's cooking skills, learned over his years as a fire fighter. Those guys can really learn to cook, while staying in the firehouse for days on end, waiting to save somebody! I stayed down the block at the Heart to Heart B&B, because I needed its wifi. I really loved my quiet times with the owner Twianne Siemens, who cooks as well as a fire fighter, if you ask me.

In the evenings Elinor, Rosenane, and I took wonderful walks along the Bow River, which surrounds Canmore, and runs very close to our two B&Bs. And one day we took off for Lake Louise and Banff, which was an amazing trip, especially since I'd never been to Western Canada before. It was breathtaking!



Here are mountain goats ambling along by our car, on the way up to Lake Louise. They weren't a bit afraid of the car or us. And this wasn't in some nature preserve, but just along the roadside. We also got close to elk, deer, and kangaroos. OK, I just said kangaroos, to see if you were paying attention! :)



And here's me at Lake Louise, though the water was frozen over entirely. In the background is the glacier that's always fed the lake. I hope it can stop its speeded up melting soon! Yikes! No more Lake Louise in a few years???????? Makes you wonder! Well, anyhow, for now I had a great time having Roseanne drive us around and show us the amazing natural wonders of the Rockies.

Roseanne was also the organizer for my classin Canmore. She began the Mountain Cabin Quilt Guild here long ago and brings in many teachers. One night I gave my art lecture in the Canmore Union Hall, but that was the night of the big April blizzard. ugh, so attendance was kinda down. But those who came were hale and hearty and gave me lots of good feelings!



This is my sketch for the first group-chosen topic for the Canmore class: Women's Work. Each day in my classes, we take 10 minutes for "library time" at the start of the class, to write and draw in our books and get ideas for the theme. We use inexpensive waterbased markers, like the ones children use, so the students will really open up and play and think like a child again. What a difficult task it is for many adults, to simply ENJOY creating! I hope I am successful at getting many people to remember what it felt like to just MAKE ART, when we were little, and to do it again now!

I toy with the idea of teaching a serious class in life drawing, say maybe a five day event, in which we'd strive for realism (yes, I know my drawing above is NOT that!) I'd have the students take turns being clothed models, and we'd use mirrors to do self portraits. I'd throw in some still life stuff, too, so it'd be like a super-condensed version of the drawing classes I used to teach at Kent State, when I was a TA. No color, just B&W, so the lines, contrasts, shapes, and textures would be all you'd have to think about. I'd make it a straight class of exercises in how to really SEE when you're looking at a subject, for drawing it. I think way too many art quilters have never taken the time to learn to draw, as a serious discipline, and it's kinda like not being able to read music, but trying to write songs. Yes, I know Paul Simon can't read music ... !



This is Isabella in Canmore, enjoying her first attempts with the airpen, as I mentor her one-on-one. I use Silk Paint's basic airpen, which is their low-end model, and run black Jacquard Textile Colors fabric paint (somewhat thinned, to the thickness of unwhipped heavy cream) through its 23 gauge stainless steel needle. Lots of tricks for how to pull that off well, but that's why they pay me the big bucks! :)



This is most of my Canmore, Alberta class. I hated saying goodbye to them and their fairytale town, but it was time to get home.
Getting home was a bit tricky, as thunderstorms and huge winds hit Chicago and shut the airport down before my plane could get in. We spent some time in scenic Cedar Rapid, Iowa's airport, before getting permission to land at O'Hare, where I ended up sleeping on the floor all night. Amazing what a little adrenalin and a body used to yoga will do for getting through weird stuff like that! O'Hare's pretty quiet at night, when it's closed!



So this is what I came home to on Sunday, April 26: Real Springtime in our front yard! I got to see the tailend of the daffodils blooming and the full bloom of the lilacs, after being in late-winter weather in Alberta. I had been gone 20 days, and I felt so happy to be home with my Jimmy, even though I loved the people I was with on my trip.



So then, when I got unpacked, on May first we went up to Cleveland and saw GEM (Gretchen, Eva, and Mike) and here are Eva and her Poppy, so happy together!



Here are my girls and I. I LOVE pix like this!



And here's the result of Sewing Lesson #2, using our Hello Kitty Janome for the first time. I babysat Eva two nights, and our project would be done, but Eva decided we'd take off Saturday evening to watch The Little Mermaid together. What could I say? I hadn't seen it before!

This piece of patchwork is the top for our Doll Blanket and Bunny Blanket, which we'll finish in Lesson #3. I took a bunch of fabrics along from my studio, and Eva chose the ones she wanted us to use. After I cut out the blocks, she and I arranged them on the floor, and then I pinned rows together and numbered the rows. Eva is going to be watching me do the sewing for a while yet, but is learning a lot about what you do when you sew. She can turn on and off the machine, hold down the reverse lever for me, and hand me pins, as well as putting them back into the tomato pincushion. Next time she'll learn to put the pins into the fabrics that I'm going to sew, if her little hands have enough strength to do that. And by the time she's five, on October 22, I plan for her to be the "driver." This is so exciting!



So on Sunday, May 3, my tArt pal Gayle Pritchard (Quatty) and I drove down from Cleveland to Columbus, for the opening of Ohio Designer Craftsmen's "Best of 2009" juried exhibition. Our ex-tArt pal Susanne Gregg came, too. She and I both had work in the show and we each won an award in the show. Yea! Above is Susanne with "7:35 AM," one of her two pieces in the show. She does machine stitching on thread grids that she creates, and then sews the thread image pieces together, suspending them in front of a solid white cloth. All the imagery is thread on thread, layered up quite ingeniously! She got some kind of super genius award! Actually it was the Ruth Lantz Award for Excellence in Fiber.



Here are Gayle and Susanne being wonderfully snobby art snobs at the show. Not even lickkered up!



And this is my piece in the "Best of 2009" show: "The Food Scales / Justice: Card #11 in The Kitchen Tarot." It's my Quilt National 2009 rejection piece. So I guess that's a good thing, since if it'd gotten into QN, it wouldn't be in this really cool exhibition, and it wouldn't have won the Quilt Surface Design Foundationi Ltd Award, which it DID. :)

After that opening, I worked like a wild thing, finishing up my First Lady piece and doing all her documentation. Check out the big images of her as an art quilt and read my statement about her on my site in the 2009 gallery. I just came back from attending the Studio Art Quilts Associates Conference in Athens, OH, during the opening festivities for Quilt National this last Thursday through Sunday, but I'll save that story for my next blog, as this one is ridiculously long already! I'll just say we all had an great time, and that my group of Therese May, Dominie Nash, Robin Schwalb (my excellent roommate), Sally Sellers, and me did a FINE job on our panel, as did all the conference presenters. And that Quilt National 09 was outstanding, as usual. Congrats to Shawn Quinlan and Shelley Baird, whose works in the show wee my favorites!

It's raining a lot this Spring, so we haven't gotten into our gardens as much as we'd like to have yet, but we keep on trying. Again, a story for the next blog.



Gretchen took this picture of Eva at her last ballet lesson of the season at the Beck Center in Lakewood last Saturday. She's wearing her new outfit for her class's first ballet recital, ever. We'll be going up two nights from now, to watch our little fairy princess do her thing and kick out the jams! THAT will be on the next blog entry, as well! Yippeee!

I'm off to watch the second half of "Cadillac Records" on DVD with Jimmy, after watching "Lawrence of Arabia" last week with my friend Carolyn TV, who lived in Jordan for years. I LOVE movies that tell true stories! "Tea with Mussolini" was amazing, too, earlier this month.

So hang in there, think peace, send love to those who drive you nuts, and get enough sleep. Thanks for being there. Make some art, of whatever kind you like.

See ya, Lucky